Bili bidjocka biography
- Bili Bidjocka is a contemporary Cameroonian artist best known for his installations and sculptures.
 - Bili Bidjocka is a contemporary Cameroonian artist best known for his installations and sculptures.
 - Bili Bidjocka is a contemporary African Artist and icon born in 1962 in Cameroon and is considered as one of the icons of Modern African Art.
 
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Bili Bidjocka
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Co-founder of the ‘Frigos’, Paris in1985, an underground association of creative talents.
 Founder of the Matrix Art Project in Tribeca, New York (1995) Platform of creation and experimentation.
 Opening of the Matrix Art Project in Bruxelle, Belgium (1997). A 1200 m2space in the historic center of Bruxelles. 
 Since 1994, he collaborates on numerous artistic projects as an artist and as a curator.
EXHIBITIONS
2010	Fictions #3, Abbaye de Maubuisson, Saint-Ouen-l’Aumone, F
 2010	Afrique, Retour d’images, Biennale de Gonesse, F.
 2010	In Context, Johannesburg, various locations, South Africa.
 2009	J’ai l’impression qu’il y a une histoire d’amour entre la fille de salle et le grand noir qui fait le ménage, Galerie Olivier Robert, Paris
 2009	Do not Take it, Do not eat it, This is not my Body … (with Anne Historical), Urban Scenography Drill Hall, Johannesbourg, S. Africa
 2009	Fiction#1, Autobiography without for of Bernardo Soares. Goodman Gallery-Cape. Cape Town, South Africa
 2007	On est dans l’espace de la peinture où on ne l’est pas 7”, Luanda Triennial, Luanda, Angola 
 2007 
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 AtWork Lab Milan, AtWork Corporate Milan Workshop leader
The Cameroonian painter, Bili Bidjocka, was born in 1962 in Douala. He has been living in Paris since 1974 where, after dance and theater, he enrolled at the School of Fine Arts. He considers, for some years now, art as an enigma. The answers brought to him by his teachers at the School of Fine Arts, those certainties etched in the minds of students, have long been revealed as inadequate. His confrontation with market laws, history and his own African identity forced him to see with new eyes the notion of art. After trying painting, he turned to installation and theatrical staging. His pieces begin to function as puzzles, riddles through which he continues the essential examination of the meaning and purpose of creation. Bili Bidjocka participated in many international exhibitions: the Biennales of Johannesburg (1997), Havana (1997), Dakar (2000, 2016), Taipei (2004) and Venice (2007). He presented his work in many museums and art galleries: New Museum of Contemporary Art in New York; ARC Museum of Modern Art of Paris;
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