Rachmaninoff cello sonata history
- Rachmaninoff cello sonata program notes
- Rachmaninoff cello sonata analysis
- Rachmaninov cello concerto
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Program: Isserlis and Shih: cello sonatas by Shostakovich, Kabalevsky and Rachmaninov, from Tokyo
Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a uniquely varied career as a soloist, chamber musician, educator, author and broadcaster.
He appears with the world's leading orchestras and conductors and in 2022 appeared in concert in Tokyo with pianist Connie Shih.
The Canadian pianist is considered to be one of Canada's most outstanding artists. In 1993 she was awarded the Sylva Gelber Award for most outstanding classical artist under age 30. At the age of nine, she made her orchestral debut with Mendelssohn's first Piano Concerto with the Seattle Symphony Orchestra.
The concert of cello sonatas by Shostakovich, Kabalevsky and Rachmaninov, at Oji Hall, Tokyo, Japan.
Live concert recording from Oji Hall, Tokyo, Japan on September 14th, 2022 courtesy of Euroradio.
Program
Dmitri Shostakovich: Cello Sonata in D minor
Dmitri Borisovich Kabalevsky: Cello Sonata in B flat
Serge Rachmaninov: Cello
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Steven Isserlis
Composers
Late Schumann
“Of course I love the music of ALL the great composers, to a lesser or greater extent – as well as some pop music, especially (showing my age) the Beatles. As I said in my book, if I had to take one composer to a desert island – and thank God that I don’t! – it would have to be J.S. Bach. But I also have a missionary zeal to promote any lesser-known music which I think deserves to be heard more often. Under this category comes the late music of Robert Schumann. There’s a generally accepted idea that his late music is weak; I disagree VEHEMENTLY! Some of it is strange, definitely, and maybe not as immediately appealing as his earlier works; but the more one knows it, the more one gets to love it. A case in point is the violin concerto; this work was written in the last years of Schumann’s creative life (he was taken to a mental asylum in 1854, where he died in 1856). It is a strangely introspective work, with a curious humour, and a somehow tired intimacy to it; but it’s so touching
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